Harvard Law Professor Sends Message on Copyright in the Digital Age…and it Requires an Answer in 21 Days

Lawrence Lessig , copyright scholar and Harvard Law School professor, sued Liberation Music in federal court last week seeking damages for Liberation’s “knowing and material misrepresentation that’ he ‘infringed Liberation’s copyright interests.”

 

Lessig, who posts many of his “Open” lectures on YouTube, included in one such lecture clips from videos created by amateurs, which all include people dancing to the song, “Lisztomania,” by the French band, Phoenix.  Liberation, who claims the right to license the song, submitted a Digital Millenium Copyright Act (DMCA) takedown notice to YouTube claiming that it was hosting material that infringed Liberation’s copyright in the song.  Recall that pursuant to §512 of the DMCA online service providers are granted a “safe harbor” as long as they meet certain requirements.  These requirements include maintaining a notice and takedown system that allows owners of copyrighted material to submit a “takedown notice” to the provider.  Among other requirements, the party submitting the notice must assert a “good faith belief” that the material’s use on the site is not authorized by either the copyright owner or the law.

In his complaint, Professor Lessig argues that Liberation knows that his use of the song, in association with the clips, is consistent with a fair use affirmative defense and, consequently, does not infringe.  The statutory factors when making a fair use analysis include (i) the purpose and character of the use; (ii) the nature of the copyrighted work; (iii) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (iv) the effect of the use on the potential market for or value of the copyrighted work.  The complaint goes on to analyze the factors as follows: (i) the purpose and character is non-commercial and highly transformative as it is meant to educate and not entertain or make money, (ii) the nature is creative, which ordinarily leans toward the copyright holder, but in this case Lessig’s use of the song did not compromise “Phoenix’s or the defendant’s rights to control the first appearance of the song, (iii) the amount was minimal, ranging in length from 10 seconds to 47 seconds, and (iv) there was no market harm as the “Open” lecture “is not a market substitute for the song’ and ‘the lecture did not harm any market for the song.”

Per the complaint, Lessig claims to have been injured in the form of financial and personal expenses, harm to his free speech rights under the First Amendment and attorneys’ fees and costs.

An article about the suit in The Boston Globe notes that Daniel Nazer, an attorney with the Electronic Frontier Foundation, who is also listed on the complaint, “said the lawsuit is about more than an academic lecture on YouTube; the plaintiffs want to send a message about how copyright law is used in the digital era.”